In a little over 2 years, this Singaporean indie pop quintet has gone from playing indie covers in a dark, dingy university dormitory, to performing to audiences in Malaysia, Thailand, Spain and most recently, China for Midi Festival Shenzhen. Described as “one of the most exhilarating new acts to emerge from the burgeoning indie-pop scene of recent years,” the quintet’s music is the by-product of reverence for the maestros and adopting great pop-sensibilities; a sonic combination of anthemic island-pop